About Me

My photo
Massachusetts, United States
I am a painter in search of an audience! Here are words to catch search engine hits: painting artist RISD New England Longmeadow Amherst Boston...more as I think of them. Check out my portfolio on a seperate website. The link is on the top of the righthand column

Sunday, October 31, 2010

Famous Amputees #2

French Painter Edouard Manet


Artist Edouard Manet, at age 51, began to suffer greatly at the hands of untreated tertiary syphilis, resulting in partial paralysis and great pain. He had been inflicted for years and was one among twenty percent of the population with this disease. At this point he contracted gangrene that required his left foot be amputated; he died 11 days later on April 30, 1883.

Random Anonymous Photo #8 & 9


All Art Should Be Funny !


Grant Wood; "Parson Weems' Fable"; 1939; oil on canvas; Amon Carter Museum, Fort Worth, Texas;


Thomas Hart Benton "Persephone", 1938-1939,  The Nelson-Atkins Museum of Art, Kansas City, Missouri


Mark Warren "The Cavalcade of Humiliation (St. Simon and his Pain Body)", 2007, 48" X 58" oil on linen





Saturday, October 30, 2010

Brushes with Fame

Like everyone, I have had my share of crossing paths with the famous. Here are two of those stories.

Back in the mid-eighties I was the manager of a frame and poster shop located in the BU Bookstore in Boston. One day I was walking through the middle of the bookstore when I saw a large crowd lined up with a very tall gentleman standing at the front signing books. I came around to his side and stood about five feet away. Often I do stand with my arms crossed and can look very disgruntled. I don't know why. I must be disgruntled. I am also standing back behind the guard in an area that is off limits to the public. Just as I recognize the Licolnesque Garrison Keiller he looks over at me and stares for a moment or two with a slightly worried look. I probably watched him closely for a good 15 minutes and saw him look back at me many times.

Later that day I went over to the Harvard Coop, the bookstore for Harvard University. A friend of mine worked there and I was on my way to visit him. Lo and behold (love using that phrase), there was Mr. Keiller again in front of a large crowd. Once again I positioned myself off to his right with the same arms crossed and the same unhappy scowl. I can look very unfriendly though it was not on purpose nor did I hold any animosity towards Keiller. After a few minutes he looked up from his signing and scanned the crowd. The he looked over at me, past me, and suddenly his eyes darted back to me, and he did the largest double take I have ever personally witnessed. I stood there another ten minutes and received many sideways glances and I believe he consulted his assistant about me. I like to think he looked around very carefully the rest of the day.

My second story involves Ms. Julia Child. Later in the eighties I worked at Bread & Circus (bought out later by Whole Foods), in Central Square, Cambridge. I worked in the meat department, and though I was not an official meat cutter, in the evening I was usually alone and had to handle all the duties.

One night I happened to be at home watching "The French Chef" and Julia was teaching us all how to pick out a leg of lamb. There were probably four or five main aspects to look for when buying the lamb; I don't remember what they were. Well the very next day (no joke), an extremely tall older woman came lurching down the aisle towards my department. With her was a younger woman that was either an assistant or a relative. Julia did not approach the counter but the other woman did and asked me for a lamb leg. I am not going to use a lot of verbose (verbose?) language to explain my shock and fear at this moment. I went back into the meat locker on a very serious mission to pick amongst five lamb legs to find the perfect one for Ms. Julia Child! I reviewed all the information I had just learned. I am sure I was taking way to much time but it seemed important. Finally I returned to the counter and lifted the leg over the top to display my choice for their approval. The woman turned and said, "Julia, is this all right?" Ms. Child barely glanced over, waved her hand dismissively, and said, "yeah fine" I was very disappointed.

Thursday, October 28, 2010

Artists I Wish I Looked Like # 2

Painter Chaim Soutine



Painted by Amedeo Modigliani


Also by Modigliani






Famous Amputees #1

Sarah Bernhardt



Sarah Bernhardt - (October 22, 1844 - March 26, 1923) was a French stage actress, and has been referred to as "the most famous actress in the history of the world". In 1905, while performing in Victorien Sardou's La Tosca in Rio deJaneiro, Bernhardt injured her right knee during the final scene which required her to leap from a high wall. The leg never healed properly. By 1915, gangrene had set in and her entire right leg was amputated, confining her to a wheelchair for several months. She continued her career, and contrary to belief, without the use of a wooden prosthetic limb. Her physical condition confined her practically to immobility on the stage, but the charm of her voice, which had altered little with age, ensured her triumphs.

Wednesday, October 27, 2010

Random Anonymous Photo(s) # 6

Phineas Gage & His Rod







This man, Phineas Gage, was 25 when he suffered the extreme head injury pictured above while rock clearing for a Vermont Railroad in 1848. While tapping down explosives into a drilled hole a spark caused an explosion that shot the tamping rod up through his eye, through the front temporal lobe of his brain and out the top of his skull. Mr Gage recovered after a few months; the future circumstances of his life would become the stuff of science and pseudo-science.

Because of very noticeable personality changes in Phineas he became an oft cited case study of cerebral localization. His personality became so different and so disagreeable that many close friends and relatives claimed he was not the same man. To this day he is studied because of these changes and used to prove many theories mostly to do with the frontal lobes of the brain and their importance in determining our personality, our very sense of our own being. Much of this lead to horrific clinical procedures like frontal lobotomies. The problem is that recent research shows just how little is and was known of the true history of Phineas' condition. It seems much of the information is related to a very narrow range of time just post-accident and that most accounts of his behavior are from secondary sources with no link to the facts of the case.

Though he did exhibit himself with Barnum's New York Museum and made visits on the lecture circuits it seems his behavior modified greatly and he was able to work again and live rather normally. There just does not seem to be enough primary information to justify the mass of analysis spent on this case over the past century and a half. He died twelve years after the accident. Read more here.

Tuesday, October 26, 2010

Monday, October 25, 2010

Random Anonymous Photo # 5

Me and Minotaur

Mark Warren "Me & Minotaur" 48" X 58" oil on linen

Ice Horses

I am currently reading the novel Kaputt by Curzio Malaparte, which is a pseudonym for Italian reporter Kurt Eric Suckert; his father was German. Apparently he was an early supporter of Mussolini but grew disenchanted and ran afoul of the fascist regime. He spent much of the Second World War on the eastern front as a correspondent for an Italian newspaper. During this time he was secretly writing this novel using his unique access to the Germans to write a powerfully poetic and horrifying account with some unusual insights into the Nazi psyche. The writing is incredibly beautiful or so at least the translation.

One of the most compelling and brutal stories is told in the chapter called Ice Horses. Our reporter is on the Finnish/Russian boarder where he is brought to see horses in a lake, frozen in place, with just their necks and heads above the waterline. "The lake looked like a vast sheet of white marble on which rested hundreds upon hundreds of horses' heads. They appeared to have been chopped off cleanly with an ax. Only the heads stuck out of the crust of ice. And they were all facing the shore. The white flame of terror still burnt in their wide-open eyes."

Earlier Finnish troops had trapped their Soviet counterparts up against the lake. A fire was started in the forest surrounding the Russians. They found themselves completely trapped with no avenue of escape allowed by the relentless Finns shooting in from outside the circle of fire. The horses went crazy with fear and risked the fire to escape. Those who escaped found refuge in the unfrozen lake. "The north wind swooped down during the night. (The north wind blows from the Murmansk Sea, like an angel of doom, crying aloud, and the land suddenly dies.) The cold became frightful. Suddenly, with the peculiar vibrating noise of breaking glass, the water froze. The heat balance was broken, and the sea, the lakes, the rivers froze. In such instances, even sea waves are gripped in mid-air and become rounded ice waves suspended in the void."

All winter long these "heads", "like wooden horses on a merry-go-round", were a source of amusement and play for the Finnish soldiers. They would climb and hang on the heads like giant toys. But come spring they had to dispose of the slowly rotting flesh. "A sweet and greasy odor floated in the mild air. It was near the end of April and the sun was already warm. For some days, since the thaw had set in, the heads of the horses gripped within the crust of the ice had begun to stink."

"When we reached the shore, the soldiers were already at work. Some fifty carcasses were heaped crossways on the sledges, they were no longer stiff, but limp, swollen, their long manes freed by the thaw were floating. the eyelids hung on their watery swelling eyes. The soldiers broke the ice crust with mattocks and axes and the horses floated upturned on the dirty whitish water filled with air bubbles and spongy snow. The soldiers roped the carcasses and dragged them to the shore. The heads dangled over the sides of the sledges. The artillery horses scattered through the forest and neighed, smelling that sweet and heavy odor, and the horses hitched to the shafts of the sledges answered with long lamenting neighs."

Friday, October 22, 2010

Random Anonymous Photo #2

Mark Warren "Rat Catcher (self-portrait)" 48" X 58" oil on linen


Henri Rousseau  The Jungle: Tiger Attacking a Buffalo 1909


Detail from Henri Rousseau, Self Portrait with a Lamp, 1902-3


Picasso Owned This Pair By Rousseau


Rousseau Self-Portrait






               

Thursday, October 21, 2010

Amazing Scientific Discovery

Scientist at the giant atom collider in Switzerland announced finding something they are calling a "sub-material" particle. Not to be confused with the search for the "God particle", an extremely small particle that may be responsible for giving other particles their mass, this particle maybe the first physical manifestation ever scientifically recorded of a "soul"! While experts are not yet verifying the existence of an actual soul it is believed this particle permeates all existence and has properties of consciousness completely independent of a physical body. This maybe our first real glimpse of what constitutes ghosts, other supernatural phenomenon, or even God. This could lead to proof of a continuation of ourselves after death and possibly lead to the discovery of "Heaven" !! Read more here.

Wednesday, October 20, 2010


Mark Warren "Matisse's Two Negresses"  48" X 58" oil on linen



Henri Matisse
Les deux négresses




“Jeunes filles targui (Young Tuareg girls),” L’Humanité féminine (January 5,  1907): 40. Photographic source for Two Negresses, 1907-08. Photo: Archives Matisse, Paris.




Birds Of A Feather

Mark Warren "As Yet Untitled" 48" X 58" oil on linen



Mark Warren "Nesting" 48" X 58" oil on linen


Monday, October 18, 2010

Is This A Photograph Of Vincent?



I think it is Mr. Van Gogh. You decide. I think it is very unlikely that Vincent did not have a formal portrait of himself taken. More here.

Sunday, October 17, 2010

What If The North Lost?

Mark Warren "The Architect" 48" X 58" oil on linen

Saturday, October 16, 2010

A couple of Heroes

Albert Pinkham Ryder by Marsden Hartley

Marsden Hartley


Mark Warren "Marsden Hartley Happy"
48" X 58" oil on linen

Joyce and Me

I was looking over one of my bookshelves today when I noticed my long neglected James Joyce section. There I spied the daunting Finnegans Wake; even Ulysses was cringing a little pushed up against this enigmatic sphinx. I opened her randomly to read a bit.

Now here I wish to stop to ask who has read this beautiful monster? No...wait! Who owns the book? Hands up! OK. Now everyone who has not read the book put your hands down. I see. Now all the liars put your hands down. Only two left. Yes I see you back there Professor Ellman and Mr. Joseph Campbell. Congratulations!

Don't get me wrong; I love Finnegans Wake. Have I read it? No. I have read Dubliners and big chunks of Ulysses. I have heard the entire Ulysses read out loud on CD in the appropriate accent. What I have done is to have read several books about our beloved leviathan. I read about the arcane spellings and meanings, the ancient regional languages and the old old place names; all the very long combined hybrid words were dissected into there many components. It was completely and wonderfully explained to me by experts.

This may seem like sarcasm but I assure you it is not. I love that the book exists. I love that I own it but cannot read it. I have an entire book that examines, in detail, all the equally difficult literature referenced in her. The extremes are important and Joyce has obviously had a huge impact on modern literature. Don't make me discuss Pynchon or Gertrude Stein; but we can talk of Faulkner or Woolf or Cormac McCarthy. For the rest of the day I walked around with the book and left it in front of the couch so someone might think I am reading it!

The Martyrdom of Lee Harvey Oswald

Mark Warren 48" X 58" oil on linen


Titian

Friday, October 15, 2010

The Initiate


Mark Warren 48" X 58" oil on linen